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SHERRIE MCGRAW
DRAWING - THE STILL-LIFE & FIGURE
MAY 3 - 7
(Also teaching Oil Painting August 9 - 13)
Tuition $425 + $25 model fee
This is an often requested class that will enhance any painting
workshop that may follow. All the great draughtsmen understood
the language of drawing - quite simply, line and shading. The
ability to capture weight, dimension, solidity, form, symmetry,
balance, etc. create the elements of good solid drawing. To do
it elegantly with sensitive line and design is to have mastery
of it. Once the student distinguishes the language of drawing
as separate from painting, he opens to visual translation as
only drawing can express it.
THE INSTRUCTOR: Sherrie McGraw has taught with us for
over 10 years and always offers an informative, stimulating class.
Her drawing skills are to be admired and we are so pleased to
be able to offer a drawing-only class, an essential skill for
all painters. Sherrie has also taught at the Art Student's League
in New York. She studied under Richard and Edith Goetz in Oklahoma,
at the Art Students League and the New York Academy of Art. She
has won numerous awards and exhibits her work in New Mexico,
California and Texas. Her work has been featured in Art of the
West, Nov./Dec. 1998 and Art Talk, 1998.
SHERRIE MCGRAW
OIL PAINTING - THE STILL-LIFE & FIGURE
AUGUST 9 - 13
(Also teaching Drawing May 3 - 7)
Tuition $425 + $25 model fee
This is an excellent class to follow a week with David Leffel
and/or proceed a week with Gregg Kreutz. Many students have taken
3 weeks back to back for total immersion into their work. The
three instructors have all worked together in New York and their
approach is similar, particularly in their ability to explain
and demonstrate styles and techniques.
Sherrie says, "One of my early and startling revelations
was that painting was not the accumulation of technique, but
rather a way of relating to the world, a way of seeing and understanding
reality. It was then I realized that becoming an artist involves
change. We live in a fragmented world and indeed, are raised
accordingly. The tendency to see differences therefore comes
easier than seeing similarities. But it is the latter ability
that coalesces each paint stroke, giving rhyme and reason to
an otherwise daunting task of choosing from literally endless
possibilities . . . The concept acts as a conductor, giving unified
ideas life and direction - the focus and strength of one's art."
This will be a wonderful class - full of ideas, learning and
sharing. There will be still-lifes and models to work with each
day and Sherrie will offer plenty of individual attention as
well as demonstrate her "way of seeing".
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